Edges of the Head

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  A head is not merely bone and skin, but a chamber of storms, where thought churns like restless seas and colours spill beyond their edges. What can the brain contain? It holds infinities, yet bends beneath routines: the labour of survival, the weight of names, the endless tally of tasks that tether imagination to necessity. Once there was a freedom— a childhood bright with unscripted hues, where colours did not ask permission to scatter, and play was the only labour. But thresholds arrive, drawn by institutions, by timetables, by the slow narrowing of sky into ceiling. Here the child learns to sit, to raise a hand, to speak in sequence, to dream only in sanctioned hours. The head adapts. It absorbs order as it once absorbed wonder, and the saturation of colour dims into function. Yet at the edges, still, the threshold glimmers— a reminder that within the skull’s dark theatre there lingers a pulse of rebellion, a fragment of the child unwilling to be tamed. And perhaps that ...

The Faces We Wear


 brushes arrive.

Religion dips into its hues,
painting symbols of gods and rituals,
marking the skin with prayers
passed down like heirlooms.

Spirituality comes gentler,
a whisper of color across the cheek,
teaching us to close our eyes,
to listen inward,
to feel the pulse of something infinite.

Education follows,
firm strokes of reason,
chalk dust and ink,
equations and histories layered
over the earlier lines—
a palette of evidence
laid beside the palette of faith.

And then comes the world itself,
its rough hands and fleeting fashions,
its borrowed convictions,
its adapted hues.
We paint ourselves again and again,
sometimes in bright masks of certainty,
sometimes in smudged doubts,
sometimes in contradictions
that no mirror can fully explain.

Yet beneath the layers—
beneath the pigments of belief,
of scripture, of science, of survival—
remains the original face,
untouched,
silent,
waiting.

Perhaps that is the truest education:
to remember that we are not the paint,
nor the brushes,
nor even the faces we wear.
We are the canvas,
vast and enduring,
upon which time and thought
leave their fleeting colors.