Edges of the Head

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  A head is not merely bone and skin, but a chamber of storms, where thought churns like restless seas and colours spill beyond their edges. What can the brain contain? It holds infinities, yet bends beneath routines: the labour of survival, the weight of names, the endless tally of tasks that tether imagination to necessity. Once there was a freedom— a childhood bright with unscripted hues, where colours did not ask permission to scatter, and play was the only labour. But thresholds arrive, drawn by institutions, by timetables, by the slow narrowing of sky into ceiling. Here the child learns to sit, to raise a hand, to speak in sequence, to dream only in sanctioned hours. The head adapts. It absorbs order as it once absorbed wonder, and the saturation of colour dims into function. Yet at the edges, still, the threshold glimmers— a reminder that within the skull’s dark theatre there lingers a pulse of rebellion, a fragment of the child unwilling to be tamed. And perhaps that ...

Stone and Starburst

 

A figure of stone,
hands pressed in eternal greeting,
stands silent,
its atoms forged in the hearts of dying stars.

Beside it,
a burst of metal rays —
a geometry of intention,
a man-made constellation
rooted in Earth’s soil.

Here, in this garden,
matter remembers.
Stone recalls mountains older than speech.
Metal recalls fire pulled from Earth’s veins.
Together they whisper:
we are the same cosmos,
shaped by different hands.

The statue prays,
not to gods,
but to time itself.
The sculpture radiates,
not light,
but the human hunger to mimic the heavens.

And somewhere,
beyond the quiet palms,
the universe watches —
indifferent, infinite,
yet secretly delighted
that creatures of dust and breath
could dream of eternity
in stone and starburst.