Edges of the Head

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  A head is not merely bone and skin, but a chamber of storms, where thought churns like restless seas and colours spill beyond their edges. What can the brain contain? It holds infinities, yet bends beneath routines: the labour of survival, the weight of names, the endless tally of tasks that tether imagination to necessity. Once there was a freedom— a childhood bright with unscripted hues, where colours did not ask permission to scatter, and play was the only labour. But thresholds arrive, drawn by institutions, by timetables, by the slow narrowing of sky into ceiling. Here the child learns to sit, to raise a hand, to speak in sequence, to dream only in sanctioned hours. The head adapts. It absorbs order as it once absorbed wonder, and the saturation of colour dims into function. Yet at the edges, still, the threshold glimmers— a reminder that within the skull’s dark theatre there lingers a pulse of rebellion, a fragment of the child unwilling to be tamed. And perhaps that ...

Choreography of Tears


 The sky unburdens itself,

and the earth drinks sorrow.
Each drop is a whisper of grief,
a silence too heavy to hold.

The peacock, born to brilliance,
spreads his wings against the storm—
not in joy,
but in ritual,
as if beauty could conceal despair.
The feathers shimmer,
yet behind their radiance
lies the weight of water.

He dances,
but the dance is no celebration.
It is a performance for the heavens,
a plea to be noticed,
to find meaning in the deluge.

Beneath the spectacle,
his cry is muted—
not for the rain itself,
but for the soil it softens,
the mud that clings to his feet,
reminding him that even splendor
cannot rise above the ground
from which it is bound.

And so he turns sorrow into display,
sadness into theater—
a creature of color
mourning in motion,
bearing witness to the truth:
that even the most radiant wings
cannot keep sorrow from seeping in.