Edges of the Head

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  A head is not merely bone and skin, but a chamber of storms, where thought churns like restless seas and colours spill beyond their edges. What can the brain contain? It holds infinities, yet bends beneath routines: the labour of survival, the weight of names, the endless tally of tasks that tether imagination to necessity. Once there was a freedom— a childhood bright with unscripted hues, where colours did not ask permission to scatter, and play was the only labour. But thresholds arrive, drawn by institutions, by timetables, by the slow narrowing of sky into ceiling. Here the child learns to sit, to raise a hand, to speak in sequence, to dream only in sanctioned hours. The head adapts. It absorbs order as it once absorbed wonder, and the saturation of colour dims into function. Yet at the edges, still, the threshold glimmers— a reminder that within the skull’s dark theatre there lingers a pulse of rebellion, a fragment of the child unwilling to be tamed. And perhaps that ...

Adornment of Power


Metal shaped, stone set,

A talisman against forgetting.
Here, the lion roars from gold,
A guardian carved in flame.

Below, the crescents fall —
Sharp as territory,
Curved as embrace,
Symbols of the man who holds,
Who claims, who protects.

And there — the dangling stone,
Heavy as seed,
Suspended between crescents,
The phallus disguised as ornament,
Fertility worn as pride.

This is no simple jewel.
It is declaration:
Of masculinity forged in metal,
Of possession hung upon the chest,
Of desire sanctified by craft.

For in the end,
We turn rocks to ritual,
Metal to meaning,
And call it beautiful —
Even when it is power
We are really wearing.